Producer William Orbit, who worked with everybody in the 80′s (Cocteau Twins! Sting!) and co-created the Ray of Light album with Madge, posted an audio recording of his original, guitar-centric cut of that album’s title track to YouTube last week. A discussion of Madonna broke out on Orbit’s Facebook page, with one fan noting that the promotional strategy for Madonna’s new record, MDMA, seemed strangely … nonexistent.
Orbit then posted this long, illuminating, and rather sad statement:
I appreciate your analysis of the album release ‘strategy’ @Madonna Express Yourself. I wasn’t involved in its formulation in any way myself. All I will say is that certain thoughts about it that I see expressed online by committed fans such as yourself, were blindingly obvious to me from the very get go, well before the release. But I’m no Jimmy Iovine, with the ability to advocate my convictions forcefully, and as co-producer, co-writer etc am aware that it is not in my ‘job spec’.
But you won’t see me exactly jumping up and down with delight over the way that things have panned out. We were very pushed for time, due to a rather interesting and shall we just say, ‘traditional’ method of recording that the esteemed engineer Demo was partial to, and various pressing commitments that took up the artists limited time, such as perfume ranges and teen fashion contests and other such endeavours which are beyond my own limited understanding of pop star agendas.